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Within the Editor panel you see your audio waveforms and, optionally, the Spectral Frequency display, which represents frequencies and content as bands of color. The bottom of the window features playback controls, a time counter, buttons for adding fades, a volume control, and a Louder button for increasing the volume by 3 dB with each click of the button. The top of the window is populated by a simple set of tools-a Time Selection tool for selecting audio in the timeline, a Frequency Selection tool for selecting a large swatch of frequencies in the program’s Spectral Frequency display (selecting high frequencies where noise might exist, for example), a Rectangular Marquee tool for selecting a portion of frequencies in the Spectral Frequency display, a Lasso tool for making freehand selections in the Spectral Frequency display, and Hand and Zoom tools for moving around the Editor panel. This serves as an Undo command much like the one in Photoshop. Select an item-an effect, a marker, or a file, for example-and click on this icon to delete it. At the bottom of some of these panels you’ll find a small trash-can icon. In addition to the Editor panel, there is also a Files panel, which lists open files an Effects panel, which lets you add processing effects such as delay, chorus, reverb, and EQ a Markers panel, which lists any markers you’ve placed in your file a History panel that’s similar to the one in Photoshop a Video panel, which lets you view video (the audio for that video appears in the Editor panel) and a Tasks panel, which includes functions for automatically composing scores, changing pitch and timing, cleaning up audio, creating loops, and removing sounds. Rather than offering countless ways to tweak or add effects to audio waveforms, Soundbooth includes a focused set of tools for performing the kinds of tasks designers most need for their video projects-removing noise, performing basic cuts and fades, and adjusting volume, pitch, and time adding effects and automatically generating background music tracks. Soundbooth looks very much like other CS3 programs-it features tabbed panels, a central work area, and a collection of tools for performing common operations.

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However, the program may be too limited for sound specialists, professional musicians, or videographers who face complex audio troubles. With a design that video producers will likely find more familiar than traditional audio tools, Soundbooth makes it easy for multimedia creatives-including Flash developers and motion-graphics artists-to fix common audio problems. Soundbooth CS3, Adobe’s new Intel-only audio-editing program, was created with videographers in mind.

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